Browse Comments

Z-Film \ Connally Hit
by DaveOsterberg on Mon, Aug 25, 2008, 1:51 PM EDT (#1724)
Comment on document page: Kennedy Assassination Chronicles, Volume 4, Issue 2, Pg 6
If you Believe as I do that the Z-Film has been seriously altered, (and this is an older article, I don t know if Bill s opinion has changed since), the subject of matching acoustics with the film seems risky. Right away I feel the Connally shot can NOT be at frame 236. Connally does seem to have a very distressed facial expression however, if he was hit at frame 236 he would never be able to complete the turn he is making to his right, as he told in all of his testimony. If Connally s hit is still IN the film as it exists, it is at frames 290-291 where we see an obvious head jerk forward from 290-291. Although Connally is at the very bottom of the frame it is most apparent in the downloadable Costella Z-Frames. I am only commenting on this one subject and will continue any chance I get. Connally s wound still seems apparent in the film. DaveOsterberg
 
Muchmore Film
by rcleaver on Fri, Aug 15, 2008, 2:08 PM EDT (#1723)
Comment on Site Section: Video Clips - Motorcade Films
In the 3rd or 4th second of the film you will notice a trailer boat previous to the motorcade. This seems odd for several reasons. 1)The boat appears to have no transom 2)Why is it in this part of Dallas? If you look at residential areas and bodies of water at the time it makes no sence for the boat to be here. 3) Its late Nov., The boat should have been winterized. Again another reason for the boat to not be here 4)It appears to be a newer fiberglass boat for the time. Why does it seem to not have a transom? 5) A small trailer boat with no transom would be a unique place for a sniper. 6) Gunfire from a small fiberglass boat would have some decieving accostics. This could explain why differently located people heard shots from different directions.
 
CIA file on Jorge Volsky
by Anonymous on Tue, Aug 5, 2008, 9:56 PM EDT (#1722)
Comment on document page: ACTIVITIES OFJORGE VOLSKY, Pg 17
Excellent material. Thank you for posting it.
 
Military-Industrial aspects of the assassination
by gemantel on Mon, Jul 14, 2008, 8:23 AM EDT (#1721)
Comment on Site Section: JFK Assassination
With reference to the "People" section, I would like to see more about the Military-Industrial angles to the assassination. Suggestions: Post Peter Dale Scott's "The Dallas Conspiracy" at this site, which seems to be unavailable elsewhere; also, there was an article by a Marv Albertson with regards to H.L. Hunt which also might be of interest (as spotted at an Illinois museum). I think the whole M-I angle has been mysteriously underplayed throughout these various investigations.
 
Gaeton Fonzi and the 1993 "Third Decade" Conference
by CDRAGO on Fri, Jun 13, 2008, 10:40 AM EDT (#1720)
Comment on Site Section: Book: The Last Investigation
I am most pleased that Rex has chosen to include Gaeton's keynote speech from the 1993 Conference of "The Third Decade." It was my honor to co-host, with journal editor Dr. Jerry Rose and my friend, mentor and comrade Dr. George Michael Evica, that memorable and important gathering. For the record, the conference was held in Providence, Rhode Island on June 18-20. Presenters included the co-hosts plus Dennis Ford and Mark Zaid, James Folliard, Anthony Marsh, Monte Evans, R.B. Cutler, Richard Bartholomew, Joanne Braun, Mike Sylwester, Martin Shackelford, Vince Palamary, John McLoughlin, Louis Sproesser, and Kenneth Rahn. Dr. Rose subsequently published a 199-page conference "Proceedings." If the MFF is interested in reprinting it, I can loan my copy for reproduction purposes. On a social note: Prior to delivering his address, Gaeton joined the co-hosts and their highly significant others for a spectacular Italian dinner at Pizzico, the Hope Street bistro that, fifteen years later, remains one of Providence's most rewarding restaurants. I can't walk through Pizzico's doors without fondly recalling that evening and the company I kept. Kudos, Rex. Thanks for the memories. To absent friends. Charlie Drago
 
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